Want to Prepare for CSS/PMS 2027 English Essay & Precis Papers? Join Course

CSS 2007 Solved Precis

Syed Kazim Ali

Essay & Precis Writing Expert | CSS, PMS, GRE English Mentor

View Author

15 November 2025

|

1050

Looking for an examiner-oriented CSS 2007 Solved Precis that demonstrates the exact standards required by FPSC? This comprehensive solution, prepared by Sir Syed Kazim Ali, breaks down the passage into its central argument, presents a well-crafted title, and showcases the art of precise compression without sacrificing meaning or coherence. Continue reading to learn the proven precis-writing techniques, analytical skills, and strategic approaches that can help CSS and PMS aspirants maximise their scores in the English Precis & Composition paper.

CSS 2007 Solved Precis

CSS 2007 Solved Precis

The author of a work of imagination is trying to affect us wholly, as human beings, whether he knows it or not; and we are affected by it, as human beings, whether we intend to be or not. I suppose that everything we eat has some effect upon us than merely the pleasure of taste and mastication; it affects us during the process of assimilation and digestion; and I believe that exactly the same is true of anything we read. 

The fact that what we read does not concern merely something called our literary taste, but that it affects directly, though only amongst many other influences, the whole of what we are, is best elicited, I think, by a conscientious examination of the history of our individual literary education. Consider the adolescent reading of any person with some literary sensibility. Everyone, I believe, who is at all sensible to the seductions of poetry, can remember some moment in youth when he or she was completely carried away by the work of one poet. Very likely he was carried away by several poets, one after the other. The reason for this passing infatuation is not merely that our sensibility to poetry is keener in adolescence than in maturity. What happens is a kind of inundation, or invasion of the undeveloped personality, the empty (swept and garnished) room, by the stronger personality of the poet. The same thing may happen at a later age to persons who have not done much reading. One author takes complete possession of us for a time; then another, and finally they begin to affect each other in our mind. We weigh one against another; we see that each has qualities absent from others, and qualities incompatible with the qualities of others: we begin to be, in fact, critical: and it is our growing critical power which protects us from excessive possession by anyone literary personality. The good critic—and we should all try to critics, and not leave criticism to the fellows who write reviews in the papers—is the man who, to a keen and abiding sensibility, joins wide and increasingly discriminating. Wide reading is not valuable as a kind of hoarding, and the accumulation of knowledge or what sometimes is meant by the term “a well-stocked mind.” It is valuable because in the process of being affected by one powerful personality after another, we cease to be dominated by anyone, or by any small number. The very different views of life, cohabiting in our minds, affect each other, and our own personality asserts itself and gives each a place in some arrangement peculiar to our self.

Why CSS Qualifiers Choose Sir Kazim for Essay and Precis

Shagufta Zaman (PAAS – CSS-25) explains why Sir Syed Kazim Ali’s structured methodology, personalized feedback, and examiner-oriented approach to Essay and Precis writing make him the preferred mentor for CSS aspirants.

Read Review

Precis Solution

Important Vocabulary

  • Assimilation (Noun)
    • Meaning: The process by which absorbed material is incorporated into and transformed by the body or mind
    • Contextual Explanation: The passage compares reading to eating, noting that food affects us during "assimilation and digestion" rather than merely at the moment of tasting, and that what we read works upon us in the same gradual, incorporating way.
  • Sensibility (Noun)
    • Meaning: Refined capacity for emotional or aesthetic responsiveness; delicacy of feeling and perception
    • Contextual Explanation: The passage assumes a reader "with some literary sensibility" has a natural responsiveness to writing and later identifies keen, abiding sensibility as one of the two qualities the good critic must possess.
  • Inundation (Noun)
    • Meaning: An overwhelming flood; an overpowering influx that submerges what it covers
    • Contextual Explanation: Youthful surrender to a poet is described as "a kind of inundation" that is the flooding of a mind not yet formed enough to resist by the far stronger presence of the writer.
  • Infatuation (Noun)
    • Meaning: An intense but short-lived passion or admiration for someone or something
    • Contextual Explanation: The complete absorption in a single poet during adolescence is called a "passing infatuation," meaning an overwhelming but temporary devotion that later reading dissolves as other writers arrive to compete with it.
  • Discriminating (Adjective)
    • Meaning: Showing refined judgment in distinguishing quality and difference
    • Contextual Explanation: The good critic is defined as one who joins keen sensibility to reading that is "wide and increasingly discriminating," meaning reading that grows steadily more capable of telling genuine quality from its imitations.
  • Cohabiting (Verb, present participle)
    • Meaning: Dwelling or existing together in the same place
    • Contextual Explanation: The differing views of life absorbed from many writers are described as "cohabiting in our minds," meaning they live together within us, interacting and modifying one another rather than any one holding sole occupancy.

Important Ideas of the Passage

The passage argues that imaginative writing affects the whole person, not merely literary taste. It traces how a reader develops from being wholly possessed by one strong writer, to being possessed by several in succession, to weighing them against one another and so becoming critical. Moreover, the author’s purpose is to establish that wide reading is valuable not as accumulated learning but as liberation: by submitting to many powerful minds in turn, the reader escapes domination by any one, until his own character emerges to arrange these competing influences in a pattern uniquely his own.

Main Idea of the Passage

  • Wide reading as liberation from literary domination and the birth of critical independence
    • Imaginative writing acts upon the whole person rather than merely on literary taste, and since a strong writer can wholly possess an unformed mind, the true value of wide reading lies not in accumulating knowledge but in submitting to many powerful influences in turn, so that no single one dominates and our own character finally emerges to arrange them all. 

Supporting Ideas Helping the Main Idea

  • Imaginative writing acting upon the whole person, whatever either party intends
    • The author of a work of imagination acts upon a person wholly whether he intends it or not, and he is affected as a human being whether he intends to be or not.
  • Reading shaping not merely literary taste but the whole of what we are
    • What one reads touches not merely his literary taste but, among many other influences, the whole of what he is, as best demonstrated by a person’s own literary education.
  • Youthful surrender to one poet after another, recalled by every responsive reader
    • Anyone at all responsive to poetry can recall a moment in youth when a single poet entirely carried him away, and very likely by several poets one after another.
  • Such spells caused by a stronger mind flooding an unformed one, possible at any age
    • This passing infatuation arises not merely because sensibility is keener in adolescence, but because the poet's stronger personality floods and occupies a personality still undeveloped, something that may equally happen later to those who have read little.
  • Successive authors interacting within the mind until comparison gives birth to criticism
    • One author possesses a person completely for a time, then another, until these influences begin to act upon each other in the mind; weighing them, one finds in each qualities absent from or incompatible with the rest, and so he begins to be critical.
  • Critical power guarding against single domination; the good critic uniting sensibility with wide, exacting reading
    • It is this growing critical power that protects a person from excessive possession by any single literary personality, and the good critic joins keen and abiding sensibility to reading both wide and increasingly discriminating.
  • Wide reading valuable as liberation rather than accumulation, until our own character orders all
    • Wide reading is therefore valuable not as hoarding or the accumulation of a well-stocked mind, but because in being affected by one powerful personality after another a person ceases to be dominated by any, until the differing views of life within him interact and his own personality asserts itself. 

Confused About Main and Supporting Ideas?

If you are still struggling to identify the main idea and supporting ideas of a precis passage, please make sure to revise all Precis Writing lectures that I have already delivered. These lectures were designed to build your understanding from the very basics to the advanced techniques required in CSS and PMS examinations.

  • What a precis is and why examiners ask it.
  • How to read and analyse a precis passage effectively.
  • How to identify the main idea of a passage.
  • How to distinguish supporting ideas from examples, illustrations, and minor details.
  • What a Precis Map is and how to build it before writing.
  • How to coordinate the main idea and supporting ideas logically.
  • Etc. 

Moreover, please revise the 20 to 30 solved examples shared in the WhatsApp groups during your English Essay and Precis Course. These examples clearly demonstrate the Dos and Don’ts of Precis Writing and show how the concepts discussed in the lectures are applied in actual passages.

Precis

Precis 1

An imaginative writer affects the whole person, whatever either intends. Reading alters not merely literary taste; it alters the whole self, as any reading history shows. Most poetry lovers recall being possessed by poets one after another in youth. Less explained by youth's sharper feelings, this is due to a stronger nature invading an unformed one, as with late readers. Indeed, authors hold the reader successively, then work upon one another within. Set side by side, each writer shows qualities the others want, some irreconcilable; so, the reader becomes critical. This growing critical faculty shields him from any single writer's hold. Moreover, a capable critic matches keenness to broad reading, which is valuable not as stored knowledge but because successive strong natures end possession by one or few. Their differing outlooks then interact until a reader’s own character takes command, forming a unique personality.

  • Precis Passage Word Count: 442
  • Precis Word Count: 144
  • Title: Wide Reading and the Birth of Criticism

Precis 2

Because imaginative writing addresses the reader entirely, its effect ignores either party's intention and reaches past taste into all he becomes as scrutiny of his reading discloses. Since almost every lover of verse recalls youthful seizure by successive poets, only somewhat explained by adolescent keenness, the cause is a formed nature overrunning an unformed one: it’s why late readers stay liable. When authors rule by turns then react within one’s mind, weighing them exposes what each lacks and what conflicts. This produces criticism and forbids undue influence by one writer. The true critic unites enduring sensitivity with wide, finer reading. Its value lies not in hoarded learning but in successive submission to powerful natures, ending domination by one or a handful; rival conceptions of life act one upon another till a person’s own character distinctly reasserts itself.

  • Precis Passage Word Count: 442
  • Precis Word Count: 137
  • Title: From Literary Possession to Critical Independence

Precis 3

The imaginative author thoroughly affects a human being; knowingly or not, the reader’s taste and whole self are altered as attested by any literary education. Whoever feels verse remembers youth's capture by successive poets, an infatuation less from adolescent keenness than from an unformed nature overrun by a stronger and may befall the little-read later. Successive authors possess the reader till they act on each other within; comparing them shows what the other lacks. Hence, criticism forms, providing immunity from literary capture. The accomplished critic mixes keenness with wide, discerning reading. Its worth is no hoard of learning: under successively strong natures the reader sheds the sway of one or a few, conflicting conceptions of life working on each other till his own nature emerges. 

  • Precis Passage Word Count: 442
  • Precis Word Count: 125
  • Title: Criticism as Escape from Literary Domination 

How a Pak Army Major Improved His English with Sir Kazim

Maj. Ali Imran shares how Sir Kazim’s structured English writing guidance, detailed feedback, and practical techniques transformed his communication and academic writing skills, helping him achieve remarkable improvement.

Read Review
Article History
Update History
History
15 November 2025

Written By

Syed Kazim Ali

CEO & English Writing Coach

History
Content Updated On

1st Update: November 15, 2025 | 2nd Update: August 1, 2026

Was this Article helpful?

(300 found it helpful)

Share This Article

Comments